My mother-in-law shared an article on Facebook that got me thinking about church music. What she shared was a blog post called “13 Solutions for a Church That Just Won’t Sing,” by Jonathan Aigner, the Director of Music in a United Methodist church. I’ve never heard of Jonathan before; all I know about him is what he wrote on his blog, www.theologyinworship.com, where he says he grew up Southern Baptist, has Bachelor’s and a Master’s degrees in music, as well as Master’s degrees in both theology and educational leadership. In other words, he seems to have some credentials backing what he wrote. And what he wrote was good, even if I don’t agree with some of his proposed solutions.

You really should read Jonathan’s article because I’m going to respond to some of his thoughts and there’s a good chance that something will get lost in translation going from him to me to you. I don’t want to misrepresent him; neither do I want to come across as disagreeing with everything he says. Rather, I want to use his article as a springboard for some of my own thoughts. Briefly, here are his thirteen solutions (all are direct quotes except where italicized):

1. Teach—how, what, and why to sing.
2. Dust off the organ console.
3. Bring the choir back.
4. Don’t perform.
5. Get rid of the lead soloist.
6. Don’t sing so much.
7. Sing all the time.
8. Build a resonant sanctuary.
9. Encourage and support the arts in the community.
10. Bring the kids back into corporate worship.
11. Use hymnals.
12. Make the music worth singing.
13. Stop doing the same songs over and over and over.

For starters, I agree that churches can teach us how to sing, what to sing, and why to sing. That’s how learned: standing in church between my alto mother and my bass father, I learned to follow the little black dots as they floated up and down the clefs. Those lessons laid the foundation for my three years of clarinet, a year of high school chorus, and four years in a singing and drama club.

But learning to sing—even for the purpose of worshipping and praising God—is not what church is really about, so I’d go a step farther than Jonathan suggests and use music as a teaching tool. After all, many of the great hymns were written, at least in part, to teach about God, not only to praise him. Since music by its very nature tends to stick with us, the songs we sing on Sunday mornings have the potential to stick in our minds far longer than the words of my sermon. We need to tap into that potential.

As for choirs and organs, I agree with Jonathan’s reasoning even if I don’t think his solutions are necessarily the right or even best options. What he wants is instrumentation “able to support sustained, hearty congregational singing” and “a sizable, confident, prepared group” to lead that singing. Both of those goals can be achieved with options other than an organ and a choir, but it takes a skilled and intentional worship leader and team to do so…just as it would demand a skilled organist and choir. I’ve seen—or rather heard—the difference in singing when a well-trained and versatile person is on the piano instead of someone who simply plays the little black notes. No instrument in the world will make an average musician sound great; on the other hand, a truly exceptional musician can make an average instrument do wondrous things.

Having said that, I certainly agree with Jonathan that an organ is a uniquely adept instrument for supporting congregational singing. But that doesn’t apply to every organ; electronic organs can be little more than glamorous synthesizers. A pipe organ, though, is unbelievably versatile, especially at the hands and feet of a well-trained organist. [Full disclosure: I married into a pipe organ family; my father-in-law has been building them for longer than the half-century I have been alive, so I’m just a little biased. That said, if you are at all interested in church music—which you probably are if you have read this far—you owe it to yourself to get in on some good pipe organ concerts.]

Let me take on several of Jonathan’s points together—numbers 3, 4, 5, 11, 12, and 13—and boil them down to this: if you want the congregation to sing, then invite them and allow them to do so. Don’t drown out the congregation with amplified instruments (even a pipe organ) or worship team (even a choir). As Ed Stetzer has written, sing singable songs in singable ways. Follow these ideas and you will probably avoid having your up-front team being performers before an audience. Hymnals can help people sing…if they’re inclined to sing, know how to read music, and are familiar enough to find the song in the time they have to do that. In other words, hymnals might help church people sing. But if you’re trying to help non-church people encounter God, then projecting the words on a screen is a far better choice. (Just be sure your tech people are good enough to stay with the musicians and get the right words on the screen at the right time.)

I may write about worship again another time, but let me close with one more encouragement to read Jonathan’s blog for yourself, and not simply to either argue against or agree with, but to reflect on and impact your own thinking about corporate worship.